Eric Bazak,
Editor-in-Chief • April 24, 2016 •
OPEN:
Dr. Amit served coffee to students in an open sided tent on the rooftop turf
during his two-week residency in February.
Talmud
professor Dr. Aharon Amit was not allowed to attend his daughter’s third
birthday party. Worried that female teachers would sing “Happy Birthday”, the
Haredi rabbis of his community told him not to go, citing the halachic
principle known as kol b’isha erva.
Translating
to “a woman’s voice is nakedness,” the phrase in Gemara Kiddushin 70A has
traditionally been interpreted to mean that women should not sing in a public
domain, and that men are forbidden from hearing them. Dr. Amit shared the story
with the upperclassmen’s AGS class as part of a two week scholar-in-residence
visit Feb. 8-19.
Shalhevet
takes a more liberal approach to kol isha, permitting female students to sing
in a group or even as soloists – and letting male students hear them – as long
as they are dressed modestly and the lyrics are not lewd.
But Dr.
Amit, who teaches the history of Talmud at Bar Ilan University in Tel Aviv,
gave students a completely different way of viewing kol isha, one that went a
step even further.
After decades
of Talmud studies, Dr. Amit believes kol isha should never have become a law.
“I’m against
restraining women’s participation in singing — they should be able to do any
type of singing that they want,” Dr. Amit said in his sides-open tent on the
rooftop turf, where he served coffee to students throughout his stay.
“Usually
when people talk about kol isha, they don’t talk about it in a position of
knowledge,” he said. “It’s an emotional topic.”
There are
three main premises to the professor’s claim, which he shared also with some of
the ninth grade Music Appreciation classes. First, he discovered that the
earliest manuscripts of the Bavli Kiddushin 70a do not contain any reference to
kol isha at all, but rather the phrase was inserted in Bavli Kiddushin later on
by authorities who knew of the passage in Bavli Berakhot 24a.
Second, the
rabbinic figure this statement is attributed to, Shmuel, seems to have made the
comment in a narrative, non-halachic context.
The rabbis of the Talmud – all male, he noted – were discussing what
they found beautiful in a woman, and each named another female attribute. The word erva thus might not have meant
“nakedness” in that context, but rather beautiful, or tempting.
“The kol
isha statement by Shmuel was not intended as a halachic obligation, and it was
not said in a halachic context,” Dr. Amit said. “It was said in hyperbole about
what is tempting about a woman. In the context of that discussion, some of the
things mentioned were a woman’s voice, hair, thigh. Therefore today, the voice
of women need not be prohibited either in speech or song.”
Lastly, once
Shmuel’s statement did begin to be incorporated into law, it was thought to
mean that anything about a woman’s voice was improper for a man to hear –
including her speaking voice. Centuries
later, that was beginning to be impractical and forbidding singing was
conceived as a more lax interpretation of
Shmuel’s words.
Still, the
Haredi world in which Dr. Amit was living when his daughter was three saw a
wide prohibition. Today, many Orthodox
communities extend it to girls singing in concerts, national anthems, and
apparently even toddler birthday parties.
There are religious communities where women don’t even sing at
bentching, the grace after meals which on Shabbat and chagim is usually sung by
all at the table.
Shalhevet
disagrees. As adopted by Head of School Rabbi Ari Segal in 2012, Shalhevet’s
policy allows women to sing provided it is not in a provocative fashion. Before Rabbi Segal arrived, girls could sing
in a choir but could not be soloists.
He’s
disregarding the mesorah [tradition] a bit, but I do agree with what he had to
say. ”
— Isaac
Goor, 11th grade
Citing a
teshuva written by Rav David Bigman, the Rosh Yeshiva of Yeshivat Ma’ale Gilboa
in Israel. Rabbi Segal changed the policy to allow female solos in 2012, making
Shalhevet the first Orthodox school in Los Angeles to do so.
“I went
through the teshuvot of Rav Bigman … and the primary sources, and feel
comfortable with the notion that kol isha, applies [only] to solo singing of a
sensual nature,” Rabbi Segal said in 2012.
“If a student is dressed properly, the song is about a modest or even
holy concept, and she is not singing in a way that is intended as erotic – then
I believe yeish al mi lismoch – there is halachic support for this.”
But for Dr.
Amit, the law itself is an entire misinterpretation of the Talmud. To spread awareness about his perspective, he
intends to publish two articles on his discoveries.
One will
touch on the historicity of the statement. Dr. Amit showed the AGS class three
versions of the Gemara in Kiddushin 70a. The earliest manuscript, currently
presiding in the Vatican Library, does not contain any reference to kol isha,
“Kol Isha
does not appear in the authentic version of Bavli Kiddushin,” he said. “I
showed through the manuscripts that in Bavli it was added much later after
Talmud was redacted- probably later in the Gaonic period.”
His second
article will touch on the context of Shmuel’s
original statement, which could marginalize its authority by pointing out that
the rabbis were just discussing what they found tempting or attractive in a
woman.
If Shmuel’s
statement was intended to be a law, he was referring to a woman’s voice in
general. Prohibiting singing, Professor Amit said, only came up in the 12th
century, thanks to Eliezer ben Shmuel of Metz, who reinterpreted Shmuel’s
statement to allow for men hear women speak.
In addition
to the halachic problems he’s identified, Prof. Amit is concerned about
negative consequences of preventing women from singing.
“Every human
voice is beautiful and holy,” Dr. Amit said. “The danger of making kol isha [a
law] is making a girl look at her voice as problematic. I want every person to
see their voice as something they love and something they could share in the
public domain. I really don’t want to see a prohibition of kol isha in public
sphere.”
But despite
his textual and historical evidence, however, changing Orthodoxy’s overall
policy seems unlikely. Different bodies of rabbis decide on today’s halachic
issues, and some view Shmuel’s statement
as a clear law.
“From their
perspective, they see this as a halachic absolute,” Dr. Amit said. “They took
what [Eliezer] said as the singing voice being the interpretation of Shmuel,
even though they usually don’t talk about that being a later interpretation but
as the pshat – the plain meaning of what Shmuel meant.”
Brought up
in a non-observant family, Dr. Amit was introduced to Talmud in his early 20s
and decided to pursue it through yeshiva in Israel after college. After
three-and-a-half years in yeshiva, he earned a masters and doctorate in Talmud
at Bar Ilan University, with a focus on analyzing manuscripts.
For the past
two decades, he has taught various classes at Bar Ilan.
“I felt what
he said had backing and he proved his points very well,” said junior Isaac
Goor. “I agreed with it, but he’s disregarding the mesorah a bit, but I do
agree with what he had to say.”
For the
sophomore class, he taught a lesson on the controversial blessing of shelo
asani isha, where men seemingly praise God for not being made women. Prof.
Amit’s interpretation, derived from grammar and literary techniques, switches
one of the words from “no” to “to him.”
This essentially has men expressing gratitude for God creating women,
rather than being thankful for not being a woman.
“I thought
he put an interesting spin on it, and changing that bracha from a negative
light to a positive light,” said sophomore Benny Zaghi.
Overall,
students said Dr. Amit brought a lot of Talmud knowledge and passion to the
school – along with good coffee, which he prepared for students every day in
his tent on the roof.
“He brought
extensive Talmudic knowledge to the school, and he brought a different
perspective to how we discover Halacha and a different approach to learning,”
said sophomore Jacob Perelman. “So I very much enjoyed his presence at
Shalhevet I also liked that he made us
coffee.”
Every human
voice is beautiful and holy. The danger of kol isha is making a girl look at
her voice as problematic.”
— Dr. Aharon
Amit
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